{"id":2627,"date":"2025-04-04T00:02:14","date_gmt":"2025-04-04T00:02:14","guid":{"rendered":"https:\/\/ipp-news.com\/?p=2627"},"modified":"2025-04-04T00:02:14","modified_gmt":"2025-04-04T00:02:14","slug":"ai-ambushing-anime","status":"publish","type":"post","link":"https:\/\/ipp-news.com\/?p=2627","title":{"rendered":"AI ambushing anime"},"content":{"rendered":"<div>Artificial intelligence risks taking Japanese anime artists&#8217; jobs but nothing can replicate Hayao Miyazaki, the creative lifeblood of the studio behind classics such as Spirited Away, his son told AFP.<\/p>\n<p>Thanks to ChatGPT&#8217;s new image generator, the internet is awash with pictures imitating Studio Ghibli&#8217;s whimsical style, raising fresh debate over potential copyright infringements.<\/p>\n<p>Films such as My Neighbor Totoro and Howl&#8217;s Moving Castle are famous for their lush nature and fantastical machinery, painstakingly drawn by hand.<\/p>\n<p>While the studio has not commented directly on the image trend, Goro Miyazaki, 58, predicted that artificial intelligence could one day replace animators.<\/p>\n<p>&#8220;It wouldn&#8217;t be surprising if, in two years&#8217; time, there was a film made completely through AI,&#8221; he said in an interview last week.<\/p>\n<p>But whether audiences would want to watch a fully AI-generated animation is another matter, he added.<\/p>\n<p>Despite the rapid changes, new technology also brings &#8220;great potential for unexpected talent to emerge&#8221;, added Goro, Studio Ghibli&#8217;s managing director.<\/p>\n<p>He was speaking at the Ghibli atelier in western Tokyo, days before the San Francisco-based ChatGPT maker OpenAI released its latest image generator.<\/p>\n<p>OpenAI, which is already facing a barrage of copyright lawsuits, said generating images in the style of individual living artists is banned, but &#8220;we do permit broader studio styles&#8221;.<\/p>\n<p>&#8220;Our goal is to give users as much creative freedom as possible,&#8221; the US company said.<\/p>\n<p>Bittersweet<\/p>\n<p>Japan is grappling with a shortage of skilled animators, partly because most spend years in low-paid jobs to learn the ropes.<\/p>\n<p>Digitally savvy Gen Z may be also less enthusiastic about the manual labour involved, Goro said.<\/p>\n<p>&#8220;Nowadays, the world is full of opportunities to watch anything, anytime, anywhere,&#8221; making it harder to imagine making a living from the physical act of drawing, he added.<\/p>\n<p>Goro&#8217;s father founded Studio Ghibli with Isao Takahata in 1985, a year after directing the post-apocalyptic Nausicaa of the Valley of the Wind.<\/p>\n<p>After Takahata&#8217;s death in 2018, Hayao \u2013 now 84 and a heavy smoker \u2013 continued to create films with 76-year-old producer Toshio Suzuki.<\/p>\n<p>&#8220;If those two can&#8217;t make anime or can&#8217;t move, then what happens?&#8221; Goro said when asked about Ghibli&#8217;s future.<\/p>\n<p>&#8220;It&#8217;s not like they can be replaced.&#8221;<\/p>\n<p>Despite his age, Hayao won his second Oscar last year with The Boy and the Heron \u2013 likely his last feature film.<\/p>\n<p>Anime cartoons are usually for children, but Takahata and Hayao, men &#8220;from the generation that knew war&#8221;, included darker elements that appeal to adults, Goro said.<\/p>\n<p>&#8220;It&#8217;s not all sweet \u2013 there&#8217;s also a bitterness and things like that which are beautifully intertwined in the work,&#8221; he said, describing a &#8220;smell of death&#8221; that permeates the films.<\/p>\n<p>&#8220;That&#8217;s actually what makes the work so deep.&#8221;<\/p>\n<p>For younger people who grew up in peacetime, &#8220;it is impossible to create something with the same sense, approach and attitude that my father&#8217;s generation had,&#8221; Goro said.<\/p>\n<p>Even Totoro, with its cuddly forest spirit creatures, is in some ways a &#8220;scary&#8221; movie that explores the fear of losing a sick mother, he explained.<\/p>\n<p>&#8216;Insult to life&#8217;<\/p>\n<p>As the Ghibli-style AI images proliferated, a 2016 video of Hayao resurfaced that many said showed his disdain for the technology.<\/p>\n<p>&#8220;I strongly feel that this is an insult to life itself,&#8221; the director says in the short clip, taken from a documentary.<\/p>\n<p>However, he was in fact reacting to an AI-assisted computer graphic of a zombie-like creature, which he calls &#8220;extremely unpleasant&#8221; in the full footage.<\/p>\n<p>Goro joined Studio Ghibli in 1998 and directed animations including the 2006 feature Tales from Earthsea and 2011&#8217;s From Up on Poppy Hill.<\/p>\n<p>He also oversaw the development of the Ghibli Museum and newly opened Ghibli Park in Japan.<\/p>\n<p>Goro enjoyed drawing as a boy and said he learned a lot watching his father&#8217;s and Takahata&#8217;s work, although he didn&#8217;t think he could live up to their talent.<\/p>\n<p>&#8220;My mother, who was also an animator, told me not to pursue this career because it&#8217;s a tough and busy job,&#8221; Goro said, adding that his father was rarely at home.<\/p>\n<p>&#8220;But I always wanted to do something creative.&#8221; AFP<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Artificial intelligence risks taking Japanese anime artists&#8217; jobs but nothing can replicate Hayao Miyazaki, the creative lifeblood of the studio behind classics such as Spirited Away, his son told AFP. Thanks to ChatGPT&#8217;s new image generator, the internet is awash with pictures imitating Studio Ghibli&#8217;s whimsical style, raising fresh debate over potential copyright infringements. Films [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-2627","post","type-post","status-publish","format-standard","hentry","category-english-news"],"_links":{"self":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts\/2627","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2627"}],"version-history":[{"count":0,"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts\/2627\/revisions"}],"wp:attachment":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2627"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2627"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2627"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}