{"id":37457,"date":"2026-01-25T00:04:25","date_gmt":"2026-01-25T00:04:25","guid":{"rendered":"https:\/\/ipp-news.com\/?p=37457"},"modified":"2026-01-25T00:04:25","modified_gmt":"2026-01-25T00:04:25","slug":"president-lula-da-silva-has-revived-brazilian-cinema","status":"publish","type":"post","link":"https:\/\/ipp-news.com\/?p=37457","title":{"rendered":"&#8216;President Lula da Silva has revived Brazilian cinema&#8217;"},"content":{"rendered":"<div>Brazil&#8217;s latest Oscar-nominated thriller &#8220;The Secret Agent&#8221; has resonated with audiences around the world as a universal tale of authoritarian regimes using their power &#8220;to crush people,&#8221; director Kleber Mendonca Filho told AFP in an interview.<\/p>\n<p>Following on &#8220;I&#8217;m Still Here,&#8221; winner of last year&#8217;s Oscar for Best Foreign Language Film, the new film about Brazil&#8217;s 1964-1985 dictatorship has captivated Hollywood.<\/p>\n<p>Fresh from winning two Golden Globes, the period thriller picked up four Oscar nominations on Thursday &#8212; Best Picture, Best International Feature Film, Best Actor for Wagner Moura and Best Casting.<\/p>\n<p>Mendonca Filho, the director of 2016&#8217;s &#8220;Aquarius,&#8221; about a woman refusing to be driven out of her home by developers, and 2019&#8217;s anti-imperialism drama &#8220;Bacurau,&#8221; links the current boom in the Brazilian film industry to the return to power of leftist President Luiz Inacio Lula da Silva in 2023.<\/p>\n<p>Under Lula&#8217;s far-right predecessor Jair Bolsonaro, &#8220;culture was extinguished in Brazil,&#8221; he said.<\/p>\n<p>Mendonca Filho spoke with AFP from Recife, his hometown in northeastern Brazil, where he received the news of the Oscar nominations.<\/p>\n<p>In the film set in Recife, Moura &#8212; of &#8220;Civil War,&#8221; &#8220;Elite Squad&#8221; and &#8220;Narcos&#8221; fame &#8212; plays a university professor recently arrived from Sao Paulo, who is unaware that he is being hunted by hitmen linked to the military regime.<\/p>\n<p>Mendonca Filho lavished Moura with praise, saying &#8220;he&#8217;s a great actor, a great artist and a great person. And he&#8217;s exactly where he should be&#8221; among the nominees for best performance.<\/p>\n<p>Below are excerpts from the interview, edited for clarity.<\/p>\n<p>How do you explain this moment in Brazilian cinema?<\/p>\n<p>&#8220;Brazilian cinema reconnected with the current with Lula&#8217;s election in 2022, after four years in which culture, practically speaking, was extinguished in Brazil,&#8221; Mendonca Filho said.<\/p>\n<p>&#8220;The Ministry of Culture was eliminated. All support mechanisms were deactivated.<\/p>\n<p>&#8220;(The) two films that were very well received in Brazil and internationally, &#8216;I Am Still Here&#8217; and &#8216;The Secret Agent,&#8217; became showcase films for Brazilian cinema.&#8221;<\/p>\n<p>What&#8217;s the global appeal of a film about Brazil&#8217;s last dictatorship?<\/p>\n<p>&#8220;I think any story about the use of power to crush people will always be universal,&#8221; Mendonca Filho said.<\/p>\n<p>&#8220;The world today is the same one of wars, invasions, land grabs, the use of military or personal power, aggression and battles &#8212; it&#8217;s nothing new. What&#8217;s shocking is that the same mistakes keep being made.<\/p>\n<p>&#8220;When I wrote &#8216;The Secret Agent,&#8217; I initially thought it would be set in 1977, but I began to realize that the film spoke a lot to the logic of Brazil in 2019 or 2021 (under Bolsonaro). A logic passed down from the past.<\/p>\n<p>&#8220;In the midst of 21st-century democracy, a group of politicians decided to revive the iconography, the words, the methods and the lack of ethics of the military regime.&#8221;<\/p>\n<p>How did US audiences receive the film?<\/p>\n<p>&#8220;The reaction is very positive. Many people in contemporary America can identify with its story. I think the reaction is largely due to the historical moment the United States is going through,&#8221; Mendonca Filho said.<\/p>\n<p>Does cinema have a political role to play?<\/p>\n<p>&#8220;I don&#8217;t see any obligation to make political films,&#8221; Mendonca Filho said.<\/p>\n<p>&#8220;If you make a film or tell a story honestly, frankly and knowledgeably, you will probably contribute to a better understanding of a country or society.<\/p>\n<p>&#8220;My films have contributed to the debate in some way, but they weren&#8217;t designed for that purpose.<\/p>\n<p>&#8220;I don&#8217;t make films to be symbols of resistance, but I believe that art, artistic expression, can function very well as a form of resistance.&#8221;<\/p>\n<p>The film had its world premiere at the main competition of the 2025 Cannes Film Festival on 18 May, where it received widespread acclaim and became the festival&#8217;s most awarded film, winning the Best Actor award for Moura, the Best Director award for Mendon\u00e7a Filho, the Art House Cinema Award and the FIPRESCI Prize for Best Film.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Brazil&#8217;s latest Oscar-nominated thriller &#8220;The Secret Agent&#8221; has resonated with audiences around the world as a universal tale of authoritarian regimes using their power &#8220;to crush people,&#8221; director Kleber Mendonca Filho told AFP in an interview. Following on &#8220;I&#8217;m Still Here,&#8221; winner of last year&#8217;s Oscar for Best Foreign Language Film, the new film about [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-37457","post","type-post","status-publish","format-standard","hentry","category-english-news"],"_links":{"self":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts\/37457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=37457"}],"version-history":[{"count":0,"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts\/37457\/revisions"}],"wp:attachment":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=37457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=37457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=37457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}