{"id":48703,"date":"2026-04-22T09:04:27","date_gmt":"2026-04-22T09:04:27","guid":{"rendered":"https:\/\/ipp-news.com\/?p=48703"},"modified":"2026-04-22T09:04:27","modified_gmt":"2026-04-22T09:04:27","slug":"artisans-in-britain-germany-and-france-craft-the-royal-opera-houses-new-curtains","status":"publish","type":"post","link":"https:\/\/ipp-news.com\/?p=48703","title":{"rendered":"Artisans in Britain, Germany and France craft the Royal Opera House&#8217;s new curtains"},"content":{"rendered":"<div>In a studio inside London&#8217;s Hampton Court Palace, hand embroiderer Marg Dier carefully stitches fabric foliage around King Charles III&#8217;s cypher. The shiny gold insignia will adorn a new pair of stage curtains that will open and close performances at London\u2019s Royal Opera House. Her stitches are small and must be very secure.<\/p>\n<p>Studio manager Gemma Murray arranges embroidery pieces<\/p>\n<p>&#8220;It&#8217;s going to be going up and down at the Opera House,&#8221; said Dier, a senior studio embroiderer at the Royal School of Needlework Embroidery Studio, whose clients include royalty and fashion houses.<\/p>\n<p>The Royal Ballet and Opera commissioned a new set of stage curtains to replace those bearing the cypher of Charles&#8217; late mother, Queen Elizabeth, which have hung at the central London venue for 27 years, introducing more than 10,000 performances.<\/p>\n<p>Senior studio embroiderer Helen Stevens hand\u2011stitches the royal cypher of Britain&#8217;s King Charles<\/p>\n<p>The new ones are once again a collaboration between the Royal School of Needlework, whose team is stitching the corner decor depicting the cypher &#8211; the initials &#8216;C&#8217; and &#8216;R&#8217;, Charles&#8217; regnal number in Roman numerals plus the Tudor crown &#8211; and German stage equipment specialist Gerriets, which is making the deep red curtains.<\/p>\n<p>London Royal Opera House stage curtains at the Gerriets workshop<\/p>\n<p>Part is digital machine embroidery, but there is hand embellishment, particularly on the crown, including colourful jewels, an ermine and a ruched red velvet cap.<\/p>\n<p>Once finished, the embroidery travels to Gerriets&#8217; sewing workshop in Volgelsheim on the French-German border. There, seamstresses apply the cypher onto the corners of the curtains, made of mohair velour. They come in two parts, each measuring 9.75 metres (32 feet) wide with a 10.8-metre drop.<\/p>\n<p>Seamstresses work on one of two parts of the new London Royal Opera House stage curtains<\/p>\n<p>&#8220;The curtain model is a swag opening curtain style,\u201d said Andreas Fraemke, senior project manager at Gerriets. &#8220;It&#8217;s made of four layers&#8230; (with) three lining layers. This is to protect the curtain from the back and also for sound protection between the audience and stage.&#8221;<\/p>\n<p>The curtains will be unveiled at the May14 Spring Gala. &#8220;It&#8217;s a famous curtain, a famous opera house, and so we are really proud&#8230; to do something like this,&#8221; Fraemke said, calling it a truly European project.<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>In a studio inside London&#8217;s Hampton Court Palace, hand embroiderer Marg Dier carefully stitches fabric foliage around King Charles III&#8217;s cypher. The shiny gold insignia will adorn a new pair of stage curtains that will open and close performances at London\u2019s Royal Opera House. Her stitches are small and must be very secure. Studio manager [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-48703","post","type-post","status-publish","format-standard","hentry","category-english-news"],"_links":{"self":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts\/48703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=48703"}],"version-history":[{"count":0,"href":"https:\/\/ipp-news.com\/index.php?rest_route=\/wp\/v2\/posts\/48703\/revisions"}],"wp:attachment":[{"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=48703"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=48703"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ipp-news.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=48703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}